share_book
Envoyer cet article par e-mail

Image and Mind: Film, Philosophy and Cognitive Science

ou partager sur :

share_comment
Partager ce commentaire par e-mail

ou partager sur :

PRÊT A ACHETER?
(vous pouvez toujours annuler plus tard)


J'aime
Image and Mind: Film, Philosophy and Cognitive Science

Image and Mind: Film, Philosophy and Cognitive Science

  (Auteur)


Prix : Cet article n'a pas encore de prix  ask_price

Demande de cotation sur ""
Ce titre est nouveau dans notre fonds d'ouvrages et nous ne l'avons encore jamais vendu à ce jour.
Notre engagement: Vous obtenir le meilleur prix
Aussi nombreux que soient les titres que nous référençons, absolument rien n'est automatisé dans la fixation de nos prix; et plutôt que de convertir automatiquement le prix en euros et risquer de répercuter sur vous un prix artificiellement élevé, nous vous faisons un devis rapide après avoir vérifié les prix auprès de nos différents fournisseurs.
Cette étape de demande de cotation est rapide (généralement quelques heures) et vise à vous faire bénéficier en permanence du meilleur prix pour vos achats de livres.


Sur commande

Des articles qui pourraient aussi vous intéresser

    Description de "Image and Mind: Film, Philosophy and Cognitive Science"

    This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is presented, which insists on the realism of pictures and the impossibility of assimilating them to language. It criticizes attempts to explain the psychology of film viewing in terms of the viewer's imaginary occupation of a position within the world of film. On the contrary, film viewing is nearly always impersonal.

    Détails sur le produit

    • Reliure : Hardcover
    • 332  pages
    • Dimensions :  2.4cmx15.6cmx22.2cm
    • Poids : 557.9g
    • Editeur :   Cambridge University Press Paru le
    • ISBN :  0521453569
    • EAN13 :  9780521453561
    • Classe Dewey :  791.4301
    • Langue : Anglais

    D'autres livres de Gregory Currie

    Image and Mind: Film, Philosophy and Cognitive Science

    This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film that have dominated discussi...

    Recreative Minds: Imagination in Philosophy and Psychology

    Recreative Minds is an insightful and wide-ranging discussion of the nature of imagination and its role in human cognition. Topics covered include the distinctions amongst different kinds of imagining (for example, between belief-like imaginings and perception-like imaginings), the mechanisms underl...

    Recreative Minds: Imagination in Philosophy and Psychology

    Recreative Minds is an insightful and wide-ranging discussion of the nature of imagination and its role in human cognition. Topics covered include the distinctions amongst different kinds of imagining (for example, between belief-like imaginings and perception-like imaginings), the mechanisms underl...

    Arts and Minds

    Philosophical questions about the arts go naturally with other kinds of questions about them. Art is sometimes said to be an historical concept. But where in our cultural and biological history did art begin? If art is related to play and imagination, do we find any signs of these things in our nonh...

    Voir tous les livres de Gregory Currie

    Commentaires sur cet article

    Personne n'a encore laissé de commentaire. Soyez le premier!

    Laisser un commentaire

    Rechercher des articles similaires par rayon

    Rechercher par thèmes associés

    This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is presented, which insists on the realism of pictures and the impossibility of assimilating them to language. It criticizes attempts to explain the psychology of film viewing in terms of the viewer's imaginary occupation of a position within the world of film. On the contrary, film viewing is nearly always impersonal.